Skip to main content

We'd like to store some cookies to help us improve the website. Find out more.

What’s in My Camera Bag: My Essential Kit for Commercial and B2B Photography.

A Day on Location Starts with the Right Kit

Whether I’m photographing colleague profile pictures for a corporate client, documenting an event, or capturing B2B marketing imagery, the right gear makes all the difference. There’s nothing worse than arriving on site and realising you forgot a crucial lens or battery. Over the years, I’ve perfected a kit that balances reliability, flexibility, and portability — and I thought it would be fun to share what’s in my camera bag.

This isn’t a gear brag; it’s a peek behind the curtain for anyone curious about commercial photography, and a way to show how every piece of kit helps me deliver the best results for my clients.

Cameras I Rely On

At the heart of my kit are my Nikon D5 cameras. I love these cameras — the quality is incredible, and the feel, weight, and build make them a joy to use. Both have Nikon WT-6 wireless transmitters attached so I can send images live during shoots — perfect for clients who want instant previews.

I also have a Nikon D4s, which I often set up as a remote camera for events or multi-angle coverage. These cameras give me the flexibility and confidence to cover everything from fast-paced conferences to carefully posed colleague profile pictures.

A profile picture of Chris Vaughan, owner of Chris Vaughan Photography, holding a camera and looking directly at the camera. Chris is wearing a white branded t-shirt.

Lenses – My Workhorses and Specialty Glass

No camera bag is complete without the right lenses. Here’s what I carry:

Each lens has its place depending on the shoot, but together they give me everything I need for commercial and B2B photography.

A profile picture of Chris Vaughan, owner of Chris Vaughan Photography at the side of a football pitch.

Lighting & Support

Lighting is often underestimated, but it can make or break an image. My portable lighting kit includes:

I also carry a Manfrotto Xpro Carbon Fibre Monopod and a sturdy, older Manfrotto tripod for stability during events or low-light photography.

A profile picture of Chris Vaughan, owner of Chris Vaughan Photography taking a photograph. Chris is wearing a white branded t-shirt. Behind him is a portable studio light.

Memory, Power & Connectivity

Nothing’s worse than running out of storage or battery mid-shoot:

Drones – The Aerial Edge

For aerial photography and B2B marketing content, I carry:

Being sub-250g drones, they’re easy to use on location and flexible, giving clients amazing aerial stills. Drone video is also available if required.

A profile picture of Chris Vaughan, owner of Chris Vaughan Photography, flying a drone. Chris is wearing a white hoodie and a high-vis jacket that has drone pilot written on the back.

Bag & Organisation

I carry all my gear in a Think Tank Airport Security V3.0. It’s massive, organised, and protective — though not Ryanair-friendly! My lighting kit rolls in a Godox CB17 bag.

Everything has a place, making setup fast and ensuring I’m always ready for commercial photography, event photography, or a B2B shoot.

Favourite Tools & Workflow Tips

My cameras are my constant favourites, but the small items often make the biggest difference: wireless triggers, sub-250g drones, and reliable memory cards save me and my clients time and stress.

I love having the flexibility to switch lenses, light setups, or even take an aerial shot if it will make the images stronger. Every piece of kit is chosen to deliver results for clients — because high-quality commercial photography isn’t just about looking good; it’s about helping businesses communicate and grow.

The camera bags belonging to Chris Vaughan Photography on Kings Cross Station with an LNER Azusa train in the background.